Dispatch from the Razor's Edge, the Blog of Michael Stephen Fuchs
“Writing is the Worst. It’s the Worst. The Absolute Worst.”

Here we go  again. Honestly, the last thing I need is to convince myself that the work I'm doing right now is any harder than it actually already feels (which believe me is like death), but this just seems to keep coming up – in this case, when I was listening to the recent live ScriptNotes at the ArcLight in Hollywood, where host Craig Mazen (Identity Thief, Hangovers Pts II & III) and guest host Dana Fox (What Happens in Vegas, The Wedding Date) had on Rob McElhenney (It's Always Sunny in Philadelphia) and Rian Johnson (Brick, Looper, Star Wars: The Last Jedi and not to mention director of three Breaking Bad episodes, including "Ozymandias").


Rob: Yeah. I don’t even like writing. I hate writing. And if there’s any other writers in here, you guys know that writing is the worst.

Dana: It’s horrible.

Rob: It’s like the dumbest, dumbest job.

Craig: We’ve said it many times.

Dana: It’s like sad, and painful, and thankless.



Rian: Well, I mean, there are so many directors that I love, but writing, like you said, writing sucks, writing is terrible. I hate writing.

Craig: Welcome to Scriptnotes.

Rian: I feel like directing is the fun thing. No, writing – you love writing –

Craig: If I go through the pain of writing, then I want to direct it?



Audience Member: My question is for Rob. You mentioned that it took a lot of encouraging from I think you said your agent to get you to finally write something. And I was wondering what finally got you to do it, or now when you don’t want to write, or when it’s hard, because like you said it kind of sucks, what gets you to finally do it? What helps?

Rob: Desperation. I mean, because the truth is I hate it. If I didn’t make that clear. I hate it. It’s the worst. It’s the worst. The worst. And I wasn’t working. I was working in a restaurant. And I just got sick of it. So I started writing. And now I do it for money. And when there’s a deadline and I have to do it because we’re shooting. You know, and the truth is when I’m really – when we get into it and things are happening and things are moving forward, there’s not a greater feeling in the world, because as you know if you’re a writer, staring at a blank page or a blank computer screen is the absolute worst, but when you fill it up and when you read it back through, and you truly believe in your heart. And you know that it’s good, you created that.

And it’s the only art form in our industry where you create something from whole cloth. And what can be more satisfying than that? So I still fucking hate it, but I derive an incredible amount of pleasure from a finished project.



Craig: Got any advice for the blocked or the reticent?

Rian: No. I think that it’s, I don’t know, it sucks. There’s no cure for it. Except I find literally just switching and thinking about something else for a while or if you don’t have the luxury of doing that, yeah, then staring at the wallpaper until it starts peeling off.


  scriptnotes     writing  
about
close photo of Michael Stephen Fuchs

Fuchs is the author of the novels The Manuscript and Pandora's Sisters, both published worldwide by Macmillan in hardback, paperback and all e-book formats (and in translation); the D-Boys series of high-tech, high-concept, spec-ops military adventure novels – D-Boys, Counter-Assault, and Close Quarters Battle (coming in 2016); and is co-author, with Glynn James, of the bestselling Arisen series of special-operations military ZA novels. The second nicest thing anyone has ever said about his work was: "Fuchs seems to operate on the narrative principle of 'when in doubt put in a firefight'." (Kirkus Reviews, more here.)

Fuchs was born in New York; schooled in Virginia (UVa); and later emigrated to the San Francisco Bay Area, where he lived through the dot-com boom. Subsequently he decamped for an extended period of tramping before finally rocking up in London, where he now makes his home. He does a lot of travel blogging, most recently of some very  long  walks around the British Isles. He's been writing and developing for the web since 1994 and shows no particularly hopeful signs of stopping.

You can reach him on .

THE MANUSCRIPT by Michael Stephen Fuchs
PANDORA'S SISTERS by Michael Stephen Fuchs
DON'T SHOOT ME IN THE ASS, AND OTHER STORIES by Michael Stephen Fuchs
D-BOYS by Michael Stephen Fuchs
COUNTER-ASSAULT by Michael Stephen Fuchs
ARISEN, Book One - Fortress Britain, by Glynn James & Michael Stephen Fuchs
ARISEN, Book Two - Mogadishu of the Dead, by Glynn James & Michael Stephen Fuchs
ARISEN : Genesis, by Michael Stephen Fuchs
ARISEN Book Three - Three Parts Dead, by Glynn James & Michael Stephen Fuchs
ARISEN Book Four - Maximum Violence, by Glynn James & Michael Stephen Fuchs
ARISEN Book Five - EXODUS, by Glynn James & Michael Stephen Fuchs

ARISEN Book Six - The Horizon, by Glynn James & Michael Stephen Fuchs
ARISEN, Book Seven - Death of Empires, by Glynn James & Michael Stephen Fuchs
ARISEN, Book Eight - Empire of the Dead by Glynn James & Michael Stephen Fuchs
ARISEN : NEMESIS by Michael Stephen Fuchs
ARISEN, Book Nine - Cataclysm by Michael Stephen Fuchs
ARISEN, Book Ten - The Flood by Michael Stephen Fuchs
ARISEN, Book Eleven - Deathmatch by Michael Stephen Fuchs
ARISEN, Book Twelve - Carnage by Michael Stephen Fuchs
ARISEN, Book Thirteen - The Siege by Michael Stephen Fuchs
ARISEN, Book Fourteen - Endgame by Michael Stephen Fuchs
from email:



to email(s) (separate w/commas):
By subscribing to Dispatch from the Razor’s Edge, you will receive occasional alerts about new dispatches. Your address is totally safe with us. You can unsubscribe at any time. All the cool kids are doing it.